Birthday
December 19 1411
Origin
Vigrid
Bayonetta (real name Cereza) is the eponymous main character of the Bayonetta series. She is a coquettish and mysterious Umbra Witch. Considered the black sheep of the Umbra Witches due to her Umbran and Lumen descent, which breaks both respective clans' sacred tenets, she possesses a remarkable talent for Bullet Arts and possessed the Left Eye of Darkness. In the first game, she was sealed away five hundred years ago until she was later found and awakened. Spending twenty years with amnesia, she battles against the angelic hordes of Paradiso and fights to end the malicious plans of the last of the Lumen Sages, Balder. Months after, Bayonetta, in the second game, finds her friend and fellow clans member Jeanne taken down to the realm of Inferno after a summon gone wrong. With the help of Rodin, she is not only hounded by angels but even demons and uncovers a deeper plot of a former half of a god conspiring to reclaim his lost power and the truth behind the Witch Hunts. As the main protagonist, she is playable in both Bayonetta and Bayonetta 2 as well as Tag Climax. She is set to appear as a playable character in Bayonetta 3. Bayonetta is portrayed as a beautiful woman with a slender yet curvy bewitching figure, possessing ample breasts and a set of round, plump buttocks. Bayonetta has black hair wrapped into a beehive-like hairdo with a bang sweeping to the right, and gray eyes with a beauty mark located at the bottom of her left cheek, close to her lips. Her main attire is composed of a skin-tight suit made out of her hair that has a rose design on the abdomen with long white gloves, black and gray heels, thin gold chains, three small belts strapped on each arm, and a pair of gold, cat-shaped earrings. Her signature look is made from her glasses that have the design of butterfly wings close to the lenses. Bayonetta wears an Umbran Watch over her bust that contains a red jewel thought to be the Left Eye of Darkness. Four metal symbols are attached to her hair, three of them in the shape of the crescent moon and the other is the symbol of the Umbra Witches. Bayonetta also has a red hair ribbon wrapped around her hairdo that extends down to her legs, covered in demonic language. At the end of the game, she wears a rosemary flower in her hair. Because of her hair-based fighting techniques, Bayonetta's outfit becomes more revealing when she uses Wicked Weave techniques. Her suit's inner section remains running up the middle and back of her body and her hair drapes over her chest to cover it, but the rest of the suit and the sleeves of hair vanish and trail outwards from her head in a spiral of hair and gold chain used to summon the demonic limbs. When summoning full demons, the entire suit disappears and leaves behind her gloves, shoes and watch. Bayonetta's appearance in Bloody Fate is very similar to her appearance in the first game with a few slight differences. Her earrings have changed to golden crescent moon shapes with red jewels at their tops and the medallions hanging from her 'sleeves' of hair have been removed. The black pattern around her wrists has also changed to a simple ring of black and the extra loop of leather above her shoes has been removed as well. Apart from these changes, she still retains her former outfit's major features. In the sequel, Bayonetta retains the use of a skin-tight black suit, though the designs of the previous suit have been radically altered. The gold chains have been removed and replaced with thinner silver ones and jagged patterns resembling roses and thorns are placed along her thighs and stomach. Her gloves have changed to include a dark blue color on the palms with a Renaissance-style flair added onto each wrist. A similar flair is also around the collar on her neck. The backs of her legs feature a diamond pattern that run from her upper thighs down to her heels, which expose her skin from her buttocks to her lower legs and her shoes feature a new design of black and silver linings with silver figurines somewhat resembling Madama Butterfly-or another female figure-along the back. The former sleeves formed by her hair have now become a cloak that drapes over her shoulders and front with points on top of either shoulder. Both the cloak's medallion decorations and her earrings have changed to form a blue triangle-like pattern with hexagons. Her glasses are of a new design based upon the imagery of rosemary and her Umbran Watch now hangs from a chain on her chest from the collar. The biggest noticeable change to Bayonetta, however, is her hairstyle. As opposed to the beehive style in the first game, she now has her hair shorter similar to a pixie cut, resembling short bob. At E3 2014, director Yusuke Hashimoto confirmed that Bayonetta did not actually cut her hair, but was able to give it its current appearance along with her new outfit thanks to her magic being able to control its look. The development team mentioned how Bayonetta's new suit was supposed to look like leather in a pre-release trailer, but the E3 2013 trailer confirmed that it is still spun out of her own hair when she uses her Wicked Weaves and summons Infernal Demons. The suit disappears in much the same way as the first game, with the middle of the suit remaining whilst the rest of the hair forms in a spiral of black and silver chain. Though still revealing it all when summoning fully manifested demons, Bayonetta is able to retain her suit after such a summoning and is able to continue fighting with all of her previous look intact. Outside of her default appearances, Bayonetta can be played wearing alternate outfits that can be bought at The Gates of Hell. Some outfits are composed of Umbran Elegances which only appear when activated and when using the weapon related to the elegance. Other new costumes can be worn using the Super Mirror once that, and the individual costumes, are purchased. In the Wii U and Nintendo Switch versions of both games, Bayonetta can even dress up as famous Nintendo characters Link, Samus Aran, Princess Peach, and Daisy in new costumes. As a young child, she often looked up to her mother, Rosa, regarding her as a hero. As seen with her time displaced version of herself (that later overrides her history), she also maintained an attachment to her father, Balder. Initially described as a "cry baby" by her older counterpart, she followed her older self under the assumption of being her mother, Rosa, and throughout the journey, is inspired by her and gains confidence in herself to live up to being as good as her. She also developed a fixation of lollipops due to being entertained by Luka in an effort to calm her down. This confidence and pride later reflects in her life as a young adult, being a proud Umbra Witch despite being a black sheep in the clan. Because of her adventures with her older self under the assumption of her mother, she was able to reawaken her Left Eye of Darkness. As an adult five hundred years later in the timeline, Bayonetta's personality can be described as nonchalant and is perceived as somewhat callous to others, such as Luka, who believed her to be the killer of his father, Antonio Redgrave. Throughout the first game, she's shown to enjoy fighting angels in a playful yet brutal manner, maintaining her cool and even tends to attempt to banter with the more serious angels such as the Auditio and Infernal Demons. Often bantering, her wordplay leans towards the constant use of sexual lingo within a given situations to taunt and tease her enemies and friends alike. Bayonetta tends to enjoy using her sexuality as a means to an end in more instances than not, often using it to tease or intimidate the likes of Luka. Bayonetta tends to operate alone and prefers to do things by herself if going on a mission or adventure, and not get encumbered by other people, at least initially. She can also be construed as somewhat impatient, especially towards the more "talkative type" of enemy she encounters such as that of Temperantia and Father Balder. However, Bayonetta has also shown genuine concern. It's witnessed that her amnesia troubled her for the last twenty years, having done her best to explain to Luka in the past that her father's death wasn't her fault and has been seen taking his venting of anger and frustration towards her to heart. She also becomes fiercely attached and protective of her younger self, unaware of the fact it is actually her as well as Loki. After rekindling her friendship with Jeanne, she was also shown to value her friendship and was willing to risk going down to Inferno to rescue her, placing the blame on herself for not foreseeing Gomorrah's attack to her in time. She is also not immune to displaying outright anger and hatred, having done so for both her father and Alraune. Despite her close connection to her father, upon re-learning her memories concerning his supposed actions of starting the Witch Hunts, she denounced her father. In the animated movie, she goes even further and blames him for the death of her mother believing him to be responsible. However, her hatred dissipated for her father upon learning the truth of her mother's death at Loptr's hands and his sacrifice and corruption of his very body at the hands of the aforementioned being whom ascended as Aesir. Her hatred of Alraune, due to her attempting to absorb Jeanne's soul and nearly sealing her fate in being trapped in Inferno, reached to the point of almost killing her outright out of revenge.
Bayonetta
Super Smash Bros.
Super Smash Bros. Ultimate is a 2018 crossover fighting game developed by Bandai Namco Studios and Sora Ltd. and published by Nintendo for the Nintendo Switch. It is the fifth installment in the Super Smash Bros. series, succeeding Super Smash Bros. for Nintendo 3DS and Wii U.
